The landscape of television has drastically changed, but certain shows retain a timeless appeal. Among these is the early 2000s WB comedy series, What I Like About You. For millennials who grew up watching The WB and its successor, The CW, the network played a pivotal role in shaping their cultural tastes, particularly with teen dramas. Series like Dawson’s Creek, Buffy the Vampire Slayer, and One Tree Hill defined an era of television that was both pleasantly dramatic and relatable to young audiences. While comedies were not always The WB’s biggest ratings drivers, What I Like About You has garnered a lasting appreciation, especially with the resurgence of interest in early 2000s pop culture. Now available for streaming on HBOMax, this Amanda Bynes-led sitcom is ripe for rediscovery.
For many, including myself, the introduction to What I Like About You Show came through Amanda Bynes’s prominent presence in teen media. Having been captivated by Bynes’s comedic talent since her Nickelodeon days, discovering a sitcom where she played a central role was instantly appealing. While initially catching episodes during afternoon reruns on The CW, the show’s charm was undeniable. It presented a vibrant, aspirational version of young adulthood set in New York City, filled with humor, appealing characters, and a sense of financial stability that felt like a fantasy for many viewers. The allure wasn’t just Bynes; it was the entire world the show created.
Revisiting What I Like About You as an adult brings a fresh perspective, highlighting the remarkably authentic portrayal of the sisterly relationship between Holly (Amanda Bynes) and Valerie Tyler (Jennie Garth). This dynamic echoes real-life sibling bonds, capturing the inherent humor and tensions that arise. Similar to shows like Fleabag, it delves into the contrasting experiences of sisters: the elder sister, Valerie, navigating societal expectations and parental pressures (though subtly depicted), and the younger sister, Holly, seemingly freer to forge her own path. This contrast forms a comedic bedrock for many of the show’s storylines.
The supporting cast further enriches the show’s appeal. Leslie Grossman as Lauren, Valerie’s best friend and coworker, delivers a blend of self-deprecating humor and unapologetic confidence. Wesley Jonathan shines as Gary, Holly’s loyal and somewhat naive best friend. Simon Rex’s season-one portrayal of Jeff, Valerie’s well-meaning but dim-witted boyfriend, perfectly embodies a certain early-internet archetype of the himbo, adding another layer of comedy to the series.
Beyond the family dynamics, What I Like About You show functions effectively as a serialized romantic comedy. The show follows Holly and Val as they navigate a constant stream of romantic interests, from fleeting flings to more serious relationships, often encountering their share of less-than-ideal partners. Crucially, despite the focus on their romantic endeavors, the series never diminishes the importance of the sisters’ bond. Their relationship isn’t merely a fallback when romance falters but is consistently portrayed as a vital and nurturing aspect of their lives. The writers skillfully ensure that the sisterhood remains central, even amidst romantic entanglements.
However, watching What I Like About You show now, particularly as a fan of Amanda Bynes, carries a bittersweet undertone. The comedic brilliance on display is tinged with the knowledge of Bynes’s subsequent personal struggles and the hiatus in her career. The show’s hilarious moments are inevitably viewed through the lens of what might have been for such a talented actress. In an era of re-examining the treatment of women in the media, particularly those who faced public scrutiny and harassment, Bynes’s career arc becomes even more poignant. While the future of her public image and career remains uncertain, her comedic legacy, as showcased in What I Like About You, endures. The show stands as a testament to her comedic genius and the enduring appeal of a well-crafted sitcom that celebrates sisterhood, friendship, and the often-comical journey of young adulthood.
